March Hares and Hounds and so forth
Ah, all the blogging that was intended to be done but not actually done.
Still, my March stuff:
~ “All of the band names ending with the same phoneme” is a brilliant theme for gigs and should be used more often: I was very sad to see that it no longer has the 70s flowery wallpaper, but the little room in The Hare & Hounds saw a fun little gig on the 5th – Teeth Of The Sea, Victories At Sea and Health And Efficien…sea. I liked all three, particularly last year’s Supersonic best-in-show-eers Teeth Of The Sea and their Morricone-ised psychedelic industrial (oh yes), and the new-to-me Victories At Sea who played something like that Echo And The Bunnymen-styled 80s-influenced indie-rock that was popular a few years ago, only turned up to 381 and with the knob snapped off. An aside, since we mentioned them: E&TB will be headlining the first day at Moseley Folk this year.
~ Feed me Seymour: Dilshad in Blackheath was alright, nothing amazing but completely acceptable. The Bartons Arms may still be my favourite pub but the food there didn’t seem as good this time around. In no way bad, of course, but not as wonderful as I’ve known it to be in the past. The Black Country Arms in Walsall is also a very good pub indeed, and does more usual pub food to a good standard for very reasonable prices. And, y’know, I like reasonable prices far more than I like unreasonable ones.
~ And The Band Played On: I went to see The Temptations, The Four Tops, Tavares and The Crystals at the NIA on the 22nd. Unsurprisingly, there were no surprises and the gig went exactly as you’d expect. In this case that is a very good thing and an emormous amount of fun. The three “The-” bands were all one-original-member versions, so Tavares won a moral victory through that. The Tempations won the “best old man dance moves” and the “band I liked the most in the first place” awards.
~ Sure, the craic was fierce: As part of The Fierce Festival I saw the Capsule gig at Vivid on the 30th (I arrived right at the end of Swllws, but it all sounded nice enough; Diamond Catalog progressed from “thumping undertow with random sounds over the top for decoration” to “using said sounds over the top to create a polyrhythmic contrast with said thumping overtow”, and it was fun; Grouper‘s “Violet Replacement” piece was a touch longer than what was actually in it seemed to justify, but nevertheless spectral and ghostly and lovely just to sit back into your chair and melt into. I may or may not have actually sat back in my chair, I don’t remember. I normally perch on the edge of chairs, ready for action) and The Dachsund UN (not-having-gone-to-Crufts consolation #2: adorable, although very difficult to actually see given the number of spectators there. Who can blame them, though? Also HOUNDS).
There were also five (count ’em) operas in March and another one since then, but I’m going to do a separate/proper post about them. You just see if I don’t.
For the time being, I’ll leave you with the new Destroyers (they’re at Moseley Folk, too) videeyo, just because:
As I said in the comments underneath (I know, YouTube commenting) – I don’t know why the kid leaves the room at the end. Going back into the main bar in The Lamp Tavern will lead to him having an even weirder conversation with Eddie…