Well we all collectively never – it’s a “Lots” post! For the first time in a very long time! Judging by the things that are happening, November 2016 will apparently be remembered both as “Goth Month” and as “Pride And Prejudice Month”.
Standard disclaimers: I can’t ensure that these events will go ahead, that they’ll be good, or that I will be going to them. This is just a list of things I found that looked like they might be interesting, so please do not contact me to ask for your event to be included (although, happily, no-one ever does this anymore).
Currently and up until Saturday the 12th – “What Shadows” (Birmingham Rep Theatre Company) @ The Rep/Library Of Birmingham (The Studio room), Birmingham – About Enoch Powell’s “rivers of blood” speech. I swear this better not be an apologetic, not right now.
Monday the 1st and Tuesday the 2nd – “Lemons Lemons Lemons Lemons Lemons” (Walrus Theatre) @ The MAC (Foyle Studio), Edgbaston, Birmingham – A play about what would happen if there was a limit to the number of words you could say in your life. If that was the case then I’d say ‘banana’ a lot rather than ‘lemons’, and squeeze more syllables out of the quota.
Monday the 1st till Wednesday the 3rd – ‘Emerge’ theatre festival @ Warwick Arts Centre, near Coventry – I don’t know if there’s a theme, but there are polar bears and dolphins and allsorts more.
Monday the 1st till Friday the 5th – “Heads Will Roll” (Told By An Idiot and Theatre Royal Plymouth) @ The Rep Theatre (The Door), Birmingham – Inspired by the search for El Dorado, and featuring “live music from one of Barcelona’s most unique musicians”. That could mean a lot of things, really.
Monday the 1st till Monday the 14th – Coventry Peace Festival @ various venues in Coventry – On one hand I like the idea of granting ‘peace’ an ontological status beyond ‘the absence of conflict’. On the other it seems a bit glib. But still! Lots of different stuff to see and participate in.
Wednesday the 2nd – Andy Irvine @ The Red Lion, Kings Heath, Birmingham – Your man from Planxty. Not that one. One of the other ones.
Wednesday the 2nd – “Gothic Tales” (European Arts Company) @ The Arena Theatre, Wolverhampton – GOTH MONTH. Although in the ‘gothic literary tradition’ sense rather than the ‘kohl’ sense, in this case. Adaptations of Edgar Allen Poe’s “The Tell-Tale Heart” (I just went to see another one of those, funnily enough), H.G. Wells’ “The Red Room” and Charles Dickens’ ”The Signalman”.
Wednesday the 2nd – The Mouse Outfit @ The Hare & Hounds, Kings Heath, Birmingham – Nine hip-hop mice, nine hip-hop mice, see how they rap, see how they rap…
Thursday the 3rd – Echo & The Bunnyman @ The Wulfrun Hall, Wolverhampton – Not part of goth month as such, but certainly affiliated.
Thursday the 3rd – Flamingods @ The Sunflower Lounge, Birmingham – Psycho-rhythmic freakouts with a bunch of interesting different instruments. It took me a while to realise that the name was mean to be as in “flamingo” rather than as in “on fire”.
Thursday the 3rd – “The Collector” (Kathryn Barker Productions)@ The Arena Theatre, Wolverhampton – A Iraqi translator working for American interrogators encounters a committed supporter of the old regime.
Friday the 4th and Saturday the 5th- Capsule’ “Supersonic 2017 Launch Party” @ Centrala, Digbeth, Birmingham – There’s gonna be a Supersonic Festival next year! Wa-hey! And this is a harbinger of it. Two nights of varied stuff, headlined by Xylouris White – Jim White of The Dirty Three in collaboration with the Cretan lute player Giorgos Xylouris.
Friday the 4th – The Specials @ The Civic Hall, Wolverhampton – Bernie Rhodes knows: don’t argue.
Friday the 4th – Smoove & Turrell @ The Hare & Hounds, Kings Heath, Birmingham – I’ve seen ‘em live before and I still have trouble believing that his voice comes out of his body.
Friday the 4th – Politics And Theatre Symposium @ The Rep/Library Of Birmingham (Studio), Birmingham – I think it’s more-or-less exactly what the name suggests.
Friday the 4th – “Coulrophobia” (Pickled Imaged Theatre) @ The MAC (Foyle Studio), Edgbaston, Birmingham – Why is everything clown-related lately? Clowns this, clowns that. It’s like that period in the late 90s/early 2000s when people suddenly started saying ‘monkey’ in every other sentence. But I digress. I don’t think the clowns in this play are clowns for your kiddies.
Friday the 4th – “Maddy And The Invisible Band Of Groovers” (Invisible Flash Theatre) @ The Arena Theatre, Wolverhampton – Probably the best title for a play that I have ever seen.
Saturday the 5th and Sunday the 6th – The National Pet Show @ The NEC, Marston Green, Birmingham – I’m gonna go and get me an ocelot.
Saturday the 5th – “Midlands Calling”punk alldayer @ The Wulfrun Hall, Wolverhampton – Sham 69! Subhumans! Also Angelic Upstarts, UK Subs, GBH, 999, Drongos and loads of others.
Saturday the 5th – Elaine Paige @ Symphony Hall, Birmingham – Nothing is so good it lasts eternally/perfect situations must go wrong. Entropy, they call it. Wasn’t it good? Oh so good.
Sunday the 6th- Saxon @ The Wulfrun Hall, Wolverhampton – I should bloody well hope that the band will play on, if you’ve paid for a ticket and all.
Sunday the 6th – The Mission @ The Institute, Digbeth, Birmingham – GOTH MONTH. Apparently it’s their 30th anniversary tour. So many years, so much dry ice sacrificed for the cause.
Sunday the 6th – David Essex @ Symphony Hall, Birmingham (and also at Wolves Civic on the 27th) – I’ll brave your cries of “WHAAAAT? NOOOOO!” and acknowledge that I don’t actually think the thought of a David Essex gig is an exceptionally interesting thing. I just wanted to self-indulgently tell an anecdote. Up until about a-year-or-so ago, I’d managed to never have heard of this Joey Essex figure who’s apparently a big telly star nowadays. When I heard tell of some of his exploits (I forget precisely what he was supposed to be up to), it didn’t make any sense at all to me. It just wouldn’t compute that he might be doing this. Naturally, I was thinking of David Essex.
Sunday the 6th – The Skull @ The Rainbow, Digbeth, Birmingham – Ex-members of Trouble and so on, but the main thing here is that you’ve got a doom metal band called “The Skull”. They know what the flip is going on.
Sunday the 6th – Eliza Carthy @ The Warwick Arts Centre (theatre space), near Coventy – There’s a hole in my bucket, dear ‘Liza, dear ‘Liza. I imagine that she won’t play that.
Tuesday the 8th till Saturday the 12th – the Welsh National Opera come to town @ The Hippodrome, Birmingham – The theme this time around is the obscure playwright Billy Shakespeare. You have Verdi’s Macbeth, Andrei Tchaikowsky’s (not P.I. Tchaikovsky. I am certain you know that, but it’s confused me in the past) The Merchant Of Venice, and (moving diagonally sideways into the world of musicals) you have Cole Porter’s Kiss Me, Kate.
Tuesday the 8th till Saturday the 12th – “Pride And Prejudice” (Regent’s Park Theatre) @ The Rep, Birmingham – PRIDE AND PREJUDICE MONTH. Starring the man who played The Definitive Lenny at this very venue many yeas ago, Matthew “You Bet!” Kelly.
Wednesday the 9th – Chas & Dave @ The Belgrade Theatre, Coventry – A few years ago I wondered if C&D’s “last ever tour” of the time was reeeaaaally actually going to be their last. I was assured that it was. Heh.
Thursday the 10th till Sunday the 13th- “The Seventh Wave” electronic music festival @ various venues in Brum – Including gigs from :Zoviet*France and Wolfgang Flür o’ Kraftwerk, a conference, and allsorts.
Thursday the 10th till Sunday the 20th – Shout festival @ various venues in Birmingham – You know you make me wanna… have a festival of queer arts and culture. There’s loads happening, have a look.
Thursday the 10th till Monday the 28th – BASS Festival 2016 @ various venues in Brum – This year’s theme is “Hip Hop 360”. Loads of things happening including gigs from Jazzy Jeff and Slick Rick, but the absolute can’t-miss one will be The Robert Glasper Experiment playing at Brum Town Hall on the 20th.
Thursday the 10th – An evening with Glen Matlock @ The Newhampton Arts Centre, Wolverhampton – “Sacked me, they did. Got this other fella in, instead. Needless to say I had the last laugh.”
Friday the 11th – “Nabucco” (Ellen Kent International) @ The New Alexandra Theatre, Birmingham – You could do a Verdi Double this week if you wanted, between this and the WNO’s “Macbeth” performance. A Verdouble, if you will.
Saturday the 12th – The Wailers @ The Institute, Digbeth, Birmingham – I was about to say that it’s basically Aston Barett plus backing band nowadays, but upon inspection it looks like he isn’t even with them anymore. But still, they’re playing.
Saturday the 12th – the Singha Grand Slam Of Darts @ The Civic Hall, Wolverhampton – Sports that you play outside are stupid.
Saturday the 12th – Roni Size @ The Hare & Hounds, Kings Heath, Birmingham – It’s a DJ set, but I see a lot of appeal in the idea of charging around the place and insistently demanding “WHO… TOLD… YOU… you could do it like… THIS?” of people.
Satuday the 12th – Mozart’s “The Magic Flute” (Opera Anywhere) @ The Botanical Gardens, Harborne, Birmingham – I bet this’ll be nice, amongst the flowers.
Sunday the 13th – Billy Bragg & Joe Henry @ The Butterworth Hall, Warwick Arts Centre, near Coventry – Touring following their joint album themed around railroad songs. They’ve added some great lyrics to “The Theme From Thomas The Tank Engine”, I’ll tell you.
Sunday the 13th – Lacuna Coil @ The Institute 2, Digbeth, Birmingham – Another not-quite-goth-month-but-definitely-affiliated event.
Sunday the 13th- New Model Army @ The Institute, Digbeth, Birmingham – Nuts to Cromwell, though.
Wednesday the 16th till Saturday the 19th – “Beautiful Thing” (can’t find the theatre company) @ The Old Joint Stock Theatre, Birmingham – I wasn’t really aware of this but apparently it’s famous. And even more so after the Stan’s Café folks plugged it.
Thursday the 17th – Alabama 3 @ The Institute, Digbeth, Birmingham – Apparently their 20th anniversary tour. It’s all about the anniversaries nowadays.
Thursday the 7th – The Skatalites @ The Hare & Hounds, Kings Heath, Birmingham – With the original vocalist, which (if I’m to be honest) I wouldn’t have expected.
Thursday the 17th – The Hollies @ Symphony Hall, Birmingham – All they need is the air that they breathe, and food, and shelter, and clean water. And to love you. Possibly jam on it as well.
Thursday the 17th – “Against Prejudice – Ira Aldridge In Coventry 1828” (Warwick University’s Multicultural Shakespeare Project & Belgrade Theatre) @ The Belgrade Theatre, Coventry – So apparently an under-21-year-old black man became the manager of a theatre in Coventry… in 1828. This will feature a documentary about him followed by a trip to the site of the actual theatre, as well as excerpts from the plays he put on.
Friday the 18th – Public Image Ltd @ The Institute, Digbeth, Birmingham – Yes, I agree that Lydon is a tosser. But still.
Friday the 18th – Roachford @ The Kasbah, Coventry – Now and forever: There’s no fog!
Saturday the 19th – Laura Mvula @ The Institute, Digbeth, Birmingham – Songs that can lift your spirits, songs that can jig your foot.
Saturday the 19th – “Going For Gold” boxing card (UKO Boxing) @ The Town Hall, Walsall – I have no idea about the local boxing scene anymore, but it looks like Martin Gethin is still going so good luck to him.
Monday the 21st till the 10th of December – “The Wind In The Willows” @ The Old Rep Theatre, Birmingham – Be careful before you book a ticket, though – word reaches me that Mr Toad may have been sacked for punching the producer. The pompous oaf.
Monday the 21st still Wednesday the 23rd – “Shakespeare, His Wife, And The Dog” (Bated Breath Theatre) @ The Rep Theatre (The Door), Birmingham – Bill and Anne have lost their dog.
Tuesday the 22nd – She Makes War @ The Sunflower Lounge, Birmingham – It’s styled as one of your “An evening with…” affairs (if you look here), so there may well be more chat than usual. She was very funny when I saw her and apparently she has done comedy in the past.
Wednesday the 23rd – Terrorvision @ The Wulfrun Hall, Wolverhampton – Playing “Regular Urban Survivors” all the way through on yet another of those anniversary tours. Dog chewed t’handle.
Thursday the 24th till Sunday the 27th – the BBC Good Food Show @ The NEC, Marston Green, Birmingham – “Good food? But that’s my favourite type of food!”
Thursday the 24th till Sunday the 27th – The Trip To Birmingham Tradfest @ various venues in Birmingham, mostly Digbeth – Irish folk festival, with tooralooraloo and maybe a tooraloorali as well.
Friday the 25th – Bus Station Loonies @ The Slade Rooms, Wolverhampton – A surprising venue for this band to be playing. But there we are.
Saturday the 26th – Future Of The Left @ The Flapper, Birmingham – Some of the best song-titlers of our times. My current fave would have to be “Robocop 4 – Fuck Off Robocop”.
Saturday the 26th – An Audience With Lesley Garrett @ The Grand Theatre, Wolverhampton – Look, sod off, I like her.
Saturday the 26th – Goodnight Lenin @ Muthers Studio, Digbeth, Birmingham – They used to be a West-Coast-American-folk-rock type band. Nowadays they have keyboards and riffs and allsorts. We live in crazy times.
Sunday the 27th – Mark Kermode @ The Warwick Arts Centre (Theatre Space), near Coventry – God, Kermode, your hands are massive.
Tuesday the 29th – The Damned @ The Wulfrun Hall, Wolverhampton – Another goth month affiliate.
Wednesday the 30th – Shalamar @ The Civic Hall, Wolverhampton – They’re gonna make it (wait for it, waaaait for iiiiiiit) a night to remember.
… then I would recommend that you read this.
When trying to think about anything seriously, a reasonable starting point might be “What do we know?”
Well, one thing that we know is how heat behaves. We know about entropy.
Let us consult with the learned:
I don’t know if my experience is general or not, but it seems that it’s easy to think that you don’t watch many telly programmes until you try to write them down.
I would hope that “just because I read it doesn’t mean I necessarily agree with it” (Scruton, bless ‘im) disclaimers would be taken as a given, but you never know.
At the end of every year I curse myself for not having gone to see more plays, so this time I set myself a target of “an average of more than one per month”. That isn’t an enormous amount, I realise, but I did manage it.
A year in which you get to see Richard Dawson three times and Public Enemy twice is a good year, ah reckons.
This will be even less use than my effort last month, but there we go. It’s too hot. Far, far too hot. Don’t take the fact that I’m melting into a little puddle as any sort of hint that there aren’t a whole imperial sack-full of things going on beyond this small selection.
‘Festival’ quick hits (because everything that ever happens in Birmingham calls itself a festival, as well as some things that happen outside of it) – The Birmingham International Jazz & Blues Festival between the 3rd and the 12th; The Colmore Food Festival on the 3rd and the 4th; The Godiva Festival between the 3rd and the 5th; The Black Country Festival on the 14th (with other activities going on all month); the Belgrade Theatre’s July Festival between the 8th and the 19th; the Mostly Jazz, Funk & Soul Festival between the 10th and 12th; The Cradley Women Chainmakers’ Festival on the 11th and 12th; the Birminghamfest theatre festival between the 17th and the 2nd of August; the Walsall Town Festival between the 18th and the 26th; Simmer Down on the 19th.
Gig quick hits – Burt Bacharach at Symphony Hall on the 1st; Mary J. Blige at the NIA on the 3rd; Fleetwood Mac at the NEC on the 4th and the 7th; The Wonder Stuff and The Twang and Rhino & The Ranters at The Wulfrun on the 5th; Bette Midler at the NIA on the 9th; Cannibal Ox at The Sunflower Lounge on the 10th; Beres Hammond and Bunny Wailer at The Academy on the 18th; The (‘official’) Drifters at The Wulfrun on the 24th;
Badly Drawn Boy at Brum Town Hall on the 25th; The Bus Station Loonies at The Rainbow on the 26th; The Sonics at The Institute on the 28th; Otis Gibbs at The Kitchen Garden Café on the 29th.
Theatre quick hits (please also pay particular note to ‘Birminghamfest’ above) – “Me At The Zoo” at Brum Rep on the 7th and 8th; “A Greek Chorus” at The Old Rep on the 8th and 9th; “Greywing House” at The Old Joint Stock on the 10th and 11th; “You Are The Jury” at The Drum on the 12th.
I also want to plug this just because the very existence of it probably winds up serious football fans – The National 5s League at The NIA on the 29th. Now I’m going to admit in advance that I don’t have the clearest idea what the flip this is. Nevertheless: football is a boring sport, I’m sure that we can all admit that. A really boring sport. They all run up one way for a bit, then they all run up the other way, then they all run back again. A ball flies around between them but they don’t seem to have a fat lot of control over it. Once, twice, or maybe three times per game someone will score a point. No-one hits anyone else. Utter bullshucks. Here, though… here they purport to mix football with “music, dance, monster trucks and pyrotechnics”. I don’t know if it’ll be any fun to watch, but it’ll be sure to make the purists’ piss boil and that is a worthy aim in itself. Don’t think that your protests have cancelled this forever, football fans. It will return, harder and stronger and more ridiculous.
(Added subsequently: As may be obvious from the format of this post, it was due to be the first of a series in which I wrote about all of the festival-type music events that I went to in year. It didn’t progress any further, because I am lazy).
So what was all this then?
The Lunar Festival took place between the 5th and 7th of June, at the Umberslade Estate in the very posh Warwickshire village of Tanworth-In-Arden (Nick Drake’s hometown, don’tchaknow). It doesn’t really have too tight a theme, but there is a sort of folk-y prog-y hippy-ish vibe to the entire affair. This is only the third one, and only the second that I’d been to – I went to one day of the 2012 one (it was very cold and there weren’t very many people there), but since then they had a year off in 2013 and I missed 2014. I really enjoyed myself, although we ended up leaving before the last band on each day (a shame in the cases of Tinariwen – although I have seen them twice before – and Public Service Broadcasting. Not a shame at all in the case of The Bootleg Pigging Beatles).
Which things that were better than “That was quite good”?
~ Gigantic Woodbird: Aw, the Gigantic Woodbird was lovely. Its inevitable fate was a bit sad, but I liked it. There were also bipedal animals around the place all weekend, seemingly led by Crow and Stag. You also had Badger, Fox etc. This will become important later.
~ Zervas & Pepper: CrosbyStillsandNashandYoungicespialadocious, even though the sound of it is something quite… lovely, actually.
~ Claudio Simonetti’s Goblin: I’d always assumed that I wouldn’t like Goblin, just from the way that people talked about them. How wrong I was. Heavy keyboard riffs a-plenty, with some quite metally bits and some quite funky bits too. Not as spooky and eerie as I’d assumed old-timey horror film soundtracks would be, but I’m entirely happy to admit that I don’t really know whereof I speak when it comes to that sort of thing.
~ The Fall: The band create fantastic rhythms, propulsive and insistent. Mark E. Smith oafishly groans “WARG BLARG ZARG” (or noises to that effect) over the top. I do think they’d probably be better off without him.
~ Jane Weaver: Ace. Focussing on the recent spacerock-y stuff rather than the older folky stuff, she floated beautifully over those controls that were set for the heart of the sun. One of the highlights, just as she’s been one of my favourite listens of late.
~ Mark Radcliffe & Galleon Blast: I will point out here (as I always point out when I get the chance) that Mark Radcliffe’s “Showbusiness” is one of the funniest books I’ve ever read in my life. Galleon Blast were great pirate-y fun, too, particularly when I could actually get into the tent (lots and lots of people were interested. They probably should’ve been on the main stage). “The Theme From Captain Pugwash” was a highlight. Radcl-O was fun as a compère all day, too (certainly better at the job than certain other BBC DJs found at other related festivals *coughMoseleyFolkcough* *coughJaniceLongcough* hint hint hint).
~ My Brightest Diamond: I initially thought (upon returning back from the over-running Galleon Blast) “Ooh, a synthpop Carina Round”. Lots of other elements came in as the set progressed, and I started to think “Ooh, maybe (just maybe) what I actually want current-day Carina Round to be”. Anyone who knows me will know how strong that praise is. It’s a “maybe”, though.
~ Kawa Circus: I really wanted to see their Floriferocity performance, due to the “Alice” connection (one of my minor obsessions), but there was a switcharoo for some reason and I ended up seeing the traditional Rajasthani circus performance instead. Some of the tightrope tricks went a bit wrong and I didn’t follow the narrative elements at all (my problem, not theirs), but it was fun to watch.
~ Pretty Things: – I didn’t really know all that much about them. I really should have (and I will put right this woeful ignorance, particularly after this great set). Like a fried r’n’b-ed up version of The Kinks, before spinning off sideways into hippy-psych fun. And then off sideways again into an extended Bo Diddley sequence.
~ Wilko Johnson: Reports of his death have been greatly etc. Hugely enjoyable (and exceptionally tight) hard-edged r’n’r/r’n’b, but the best bit were the facial expressions. Wilko was casting around murderous looks left right and centre, whilst Norman Watt-Roy… I do not know what the facial expressions of Norman Watt-Roy can be described as.
~ Föllakzoid: I was not aware that Zun Zun Egui had fallen off the line-up until the compère said so immediately before they were due to play (I still don’t know why) (EDIT: Ah, nuts, they’ve split up), and that was a particular disappointment given that they were one of the bands that I was most eagerly looking forward to. Happily, their short-notice replacements Follakzoid turned out to be A-to-the-mazing. Neu! gone dubby, perhaps? That would be too boring a description. I prefer to imagine that the relentless groove of their music pushed me forward a week into an alternate universe version of the Supersonic Festival, where the bass met the Komische met the incongruous between-song references to Sepultura. This was all fine by me. Only the fact that it was taking place in a field in rural Warwickshire posed any sort of conceptual challenge. They seemed to win over quite a lot of other folks too, incidentally, but possibly not in the same way.
~ Rhino & The Ranters: Yeeeeeeeeeeee-haaaaa, up-tempo (and ever so slightly punky) bluegrass with sufficient energy and enthusiasm and sense-of-fun to spare. Again, it seemed as though a lot of people were having trouble getting into the tent (I managed to swerve my way in at the front, though, like a proper Man-With-No-Name cowboy).
~ The BBC Radiophonic Workshop: Wow. What a time in which to live, when we can see the BBC Radiophonics Workshop playing live. Using actual instruments, though! I can’t help but feel that Delia would have been disappointed with that. I couldn’t be disappointed by incidental music from “The Hitchhiker’s Guide To The Galaxy”, with “Telstar” or particularly (of course) with the theme from “Doctor Who”.
~ RM Hubbert: Auld R.M. Hubbert/Sat in a cubbert/drinkin’ his bottle o’ Bucky/Along came a wee gadgie/He said “Ah, ya pure radgie”/And I’ll end this rhyme now if you’re lucky.
~ Benajmin Folke Thomas: Affable American troubadour-style folk from a Swedishman for whom folk(e) is his middle name. He had a very affable manner as well as nice music and a lovely joke about an ice-cream man. Actually (upon thinking about it) ‘affability’ was a theme of the day, between the singer of Rhino & The Ranters (is his name ‘Rhino’? He should have joined the bipedal animal crew), R.M. Hubbert, B.F. Thomas, and…
~ Julian Cope: There had actually been a little drone flying around all weekend, filming from on high. I was really hoping that it might hover into view in front of Cope-O, solely due the likelihood of him hilariously freaking out at the sight of it. Imagine it now – he’d throw his hands into the air, wiggle his fingers, scream “OH LORDY-LORD THE ALIENS ARE HERE!” and run for his life. None of that happened, sadly. He’s occasionally a bit of a nobhead but a tremendously affable and entertaining one, who could go on for days with his anecdotes if needs be. He kept using the phrase “psychedelically informed” with an air of superiority, though, and things that took place shortly later showed just how small his lysergic worldview really is.
~ The Sun Ra Arkestra: Oh my life, Marshall Allen is 91. The fact that he’s still blowing his saxophone with such gusto is surely evidence that their knowledge and understanding of the celestial balance must be true and correct. You have a solid grooving bedrock with the out-there lunacy over the top, of course, akin perhaps to a solid base of gravity keeping big ol’ rocks in regular orbit around a star and enabling the unbelievable complexity and craziness of life to arise on the surface of (at least) one of them. The music, as I gather they say, of the spheres. At the end of their set, they left the stage for…
~ The procession: … the nicest imaginable version of “The Wicker Man”. The bipedal animals who’d been around all weekend led the procession, followed by the Sun Ra Arkestra (with gentle brass and drums) and a mini-choir. They advanced up to the aforementioned Gigantic Woodbird and then (to my slight surprise) on past, continuing to the Helter-Skelter in the top field. The animals went up and around/down, before returning to Gigantic Woodbird, who was promptly torched while the animals danced and the band played on. It felt like a shame, but as Gigantic Woodbird’s entropy was accelerated and its heat energy returned to the cosmos I began to understand why all of this needed to take place. That sun, those big ol’ rocks, all the unbelievable complexity and craziness of life, all the happy animals, and even the wise Arkestramen with all their understanding… all will eventually succumb to the beautiful universality of heat death. Entropy will increase chaos until there is nothing but. All will be one and one will be infinitely varied.
What could have been better?
A few more bins (and recycling). A lot more space for the second stage (the Bimble Inn tent was quite cool, but often not big enough for the number of people who wanted to see some of the bands playing in there). A heck of a lot more Zun Zun Egui. Fewer cold periods on the first two days. A heck of a lot fewer Bootleg Tossing Beatles.